.super bueno studio & christelle davrieux total lake odyssey Off a road in the fields of Giez, France, the Pond Odyssey hut setup seems like a burning wooden monolith. Made by very bueno workshop together with Christelle Davrieux, it takes the form of a building prototype along with, in the upper part, pair of outstanding prone edges. The materiality of the basic and slim kind describes the darkness of the boscage and also the dark torsos held nearby. A human-scale position provides a frame for the vast yard, its own brightness distinguishing along with the dark covering of the fringe. Deep space launches the illuminations, shades, seems, aromas, as well as perpetual activity of the natural garden right into its own form.all images by David Foessel a space pierces the massive hut's wood type ' Our team go to the edge of the woodland, where the trees go happily up and down, and along hardwood storing where the human palm has put all of them flat,' discusses the group at extremely bueno studio. In the distance of the hut sits a variety of mountains, extensive industries, and Pond Annecy, inviting a dialogue along with its situation. Once minority bars of the step ladder are actually installed and also the very first amount of the big hut is reached, its ground lowers with the help of a delicate incline. The Lake Odyssey reveals a place of movement, welcoming site visitors to stand, impose, rest, walk, or maybe slide. 'From the warm and comfortable hardwood hut at the center of the burned hardwood pillar, everybody will discover a rupture to think of the feeling that this shift conjures,' the team proceeds. It even further starts a switch between the road where the eye buttocks on the brownish skin of the trunks and the opening on the scenic view of the lake.super bueno center and Christelle Davrieux total Lake Odysseylocated off a course in the business of Giez, Francethe hut looks like a burning timber monolithannouncing a location of passage, inviting website visitors to stand, lay, sit, walk, or perhaps slidethe materiality of this particular simple form refers to the shadow of the copse and the dark trunks held nearbythe gap's brightness distinguishing with the sinister shell of the peripheryintegrating the lightings, shades, sounds, scents, and reoccurring movement of the organic garden.